Mark Steyn: " The Age of Intolerance"
Mark Steyn: " The Age of Intolerance"
....Here are two jokes one can no longer tell on American television. But you can still find them in the archives, out on the edge of town, in Sub-Basement Level 12 of the ever-expanding Smithsonian Mausoleum of the Unsayable. First, Bob Hope, touring the world in the year or so after the passage of the 1975 Consenting Adult Sex Bill:
“I’ve just flown in from California, where they’ve made homosexuality legal. I thought I’d get out before they make it compulsory.”
For Hope, this was an oddly profound gag, discerning even at the dawn of the Age of Tolerance that there was something inherently coercive about the enterprise. Soon it would be insufficient merely to be “tolerant” — warily accepting, blithely indifferent, mildly amused, tepidly supportive, according to taste. The forces of “tolerance” would become intolerant of anything less than full-blown celebratory approval.
Second joke from the archives: Dean Martin and Frank Sinatra kept this one in the act for a quarter-century. On stage, Dino used to have a bit of business where he’d refill his tumbler and ask Frank, “How do you make a fruit cordial?” And Sinatra would respond, “I dunno. How do you make a fruit cordial?” And Dean would say, “Be nice to him.”
But no matter how nice you are, it’s never enough. Duck Dynasty’s Phil Robertson, in his career-detonating interview with GQ, gave a rather thoughtful vernacular exegesis of the Bible’s line on sin, while carefully insisting that he and other Christians are obligated to love all sinners and leave it to the Almighty to adjudicate the competing charms of drunkards, fornicators, and homosexuals. Nevertheless, GLAAD — “the gatekeepers of politically correct gayness” as the (gay) novelist Bret Easton Ellis sneered — saw their opportunity and seized it. By taking out TV’s leading cable star, they would teach an important lesson pour encourager les autres — that espousing conventional Christian morality, even off-air, is incompatible with American celebrity.
Some of my comrades, who really should know better, wonder why, instead of insisting Robertson be defenestrated, GLAAD wouldn’t rather “start a conversation.” But, if you don’t need to, why bother? Most Christian opponents of gay marriage oppose gay marriage; they don’t oppose the right of gays to advocate it. Yet thug groups like GLAAD increasingly oppose the right of Christians even to argue their corner. It’s quicker and more effective to silence them.
As Christian bakers ordered to provide wedding cakes for gay nuptials and many others well understand, America’s much-vaunted “freedom of religion” is dwindling down to something you can exercise behind closed doors in the privacy of your own abode or at a specialist venue for those of such tastes for an hour or so on Sunday morning, but when you enter the public square you have to leave your faith back home hanging in the closet. Yet even this reductive consolation is not permitted to Robertson: GLAAD spokesgay Wilson Cruz declared that “Phil and his family claim to be Christian, but Phil’s lies about an entire community fly in the face of what true Christians believe.” Robertson was quoting the New Testament, but hey, what do those guys know? In today’s America, land of the Obamacare Pajama Boy, Jesus is basically Nightshirt Boy, a fey non-judgmental dweeb who’s cool with whatever. What GLAAD is attempting would be called, were it applied to any other identity group, “cultural appropriation.”
In the broader sense, it’s totalitarian...
...It is not enough to have gay marriage for gays. Everything must be gayed. There must be Five-Year Gay Plans for American bakeries, and the Christian church, and reality TV. There must be shock brigades of gay duck-hunters honking out the party line deep in the backwoods of the proletariat. Obamacare pajama models, if not yet mandatorily gay, can only be dressed in tartan onesies and accessorized with hot chocolate so as to communicate to the Republic’s maidenhood what a thankless endeavor heterosexuality is in contemporary America...