Or that she's the more commercial one. Assuming that popularity equals quality is isn't necessarily valid. The obvious example is Barry Manilow, who writes the songs that make the whole world cringe, but he's outsold and outlasted a lot of acts that were clearly better.
Regardless, this isn't about Madonna's artistic value or Bjork's (or any other poptart's), it's about how Madonna, whose career is on the downward slide, is using political controversy to get attention that she can no longer command through her creative projects.









